понедельник, 23 ноября 2009
тут должно заметить, что текст в песнях важен, даже если
он англоязычный.
nov 2009
Into the White
Фотография, монтаж, сценарий и вообще господь и бог - Нилюфер Закирова
Хореография и тело - ваша покорная слу
rationale. автор о * Journey Back Into the White (Back Into White)
* Newton discovered the essence of white as the effect of combining the visible colors of light in equal proportions. He had demonstrated it by using a prism that separates the colors present in the light. My selective recreation of white is much like that prism, which is concretised through an abstraction. In this project, I have attempted to bring an idea within my grasp of this truly comprehensive color. I associated white with a notion of freedom, as both white and freedom are equally paradoxical. Many perceive white as the absence of other colors; howbeit, Newton showed otherwise. It is actually a combination of all colors of the spectrum in equal proportions. Similarly, freedom is perceived as the absence of constraint; howbeit, Rousseau showed otherwise. It is rather the opportunity to do the right thing. He “asserted that the condition of freedom was inherent to humanity, an inevitable facet of the possession of a soul and sapience, with the implication that all social interactions subsequent to birth imply a loss of freedom, voluntarily or involuntarily” (Wikipedia, 2009).
* The perception of freedom is a subjective matter, in my opinion. What is considered freedom for one may be a lack thereof for another. I have chosen abstraction as a way to connect with the observer because it allows for that individual and varied interpretation. I aimed for a unique chemistry based on viewer’s templates and experiences in reflection to the animation. I chose animation, a kinetic art, because of its unification of static and dynamic, which grabs the essence of white. It is white when it is static, and it shows the spectrum of all colors when put into motion through a prism.
* My animation begins with a white background that conveys the concept of tabula rasa. Tabula rasa in Latin means a “blank slate”. The theory behind it is that, “A baby is born with a void for a brain, and information is imprinted on the empty mind as the child is exposed to all manner of sensory experiences” (Mannion, 2002). Much like Newton’s prism, my vision offers to delineate the oval body shape that resembles an egg, which is symbolic of the birth of an individual into this world. The emergence of the shape and color on the white background marks the journey of an individual. The rationale for choosing a woman character is an idea of her being a vessel or womb for carrying a new life, new hopes, and aspirations for freedom realizations. The appearance of colors, trees, lines, direction of the shapes are indicative of the myriad of challenges, feelings, highs and lows of life, the pains, and dependencies of an individual. The path alludes to the traveling in life that faces constraints i.e. the social interactions subsequent to birth with its plethora of limits, which imply a loss of freedom. To convey the state of her soul, I used the heroine’s graceful paralanguage, chromatic aberration, and spatial variances. Throughout the animation, her inner turmoil shows her unquenchable thirst to obtain pure feeling of freedom as it was felt at the beginning of the journey – when the heroine was a baby, “ a clean slate”. This marks her journey back into white, back into freedom. Freedom from social interactions that present challenges that create room for transformation and growth. The contrast of other colors and shapes is intended to illustrate the many restraints and challenges that fill the white. Depending on what she does in life, she gets closer and closer to the original white – freedom. Allegorically, her dance is the journey from birth to death, with her life being an expression of the everlasting thirst for freedom, her perception of freedom. The musical background is Radiohead’s song, Faust Arp . The name of the song alludes to Faust, who sold his soul to devil in exchange for pleasures and knowledge in this world. At the moment of contract with the devil, Faust defined the idea of freedom in his obtaining the pleasures and knowledge. However, the he found the otherwise to be true: with this contract he gave up his right for freedom forever. Another rationale for choosing this song was the fact that the lyrics are abstract. Therefore, it allows for subjective interpretation.
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23.11.2009 в 23:11-
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23.11.2009 в 23:14-
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23.11.2009 в 23:22и сколько времени работы?
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23.11.2009 в 23:25-
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23.11.2009 в 23:30-
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23.11.2009 в 23:57-
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24.11.2009 в 00:25Одно только "но", если будет позволено: слишком много всего сразу пытались сказать. Та часть, что приблизительно между 1.20 и 1.56 уже тянет на отдельный фильм.
По -любому, красиво.
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24.11.2009 в 09:53~Allegoria спасибо, ну, моей работы тут минимум)
808080 ну да, может переборщили ^_^ первый клип, потому и.. но спасибо и за критику, и за похвалу)
Я вообще коллажи почитаю.
даа, это вам не цифра, ххх. хэндмэйд!) много возможных приёмов, ад бесконечных возможностей (с)
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24.11.2009 в 14:25продайте сие радиоголовам
пускай сделают официальным клипом)
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24.11.2009 в 15:03были идеи просто присалть Тому Йорку и написать: тада! посмотри!
но ясен перец всё это сказки мифы XD
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24.11.2009 в 15:11-
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24.11.2009 в 15:12спасибо!
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24.11.2009 в 22:51-
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24.11.2009 в 23:43-
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25.11.2009 в 10:17-
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25.11.2009 в 11:17-
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25.12.2009 в 18:45я в неописуемом восторге.
О_О
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25.12.2009 в 18:48спасибо)
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25.12.2009 в 18:54вот. добралась)
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25.12.2009 в 18:59